present the show.  Three hours of building set and another two for building light plan, thirty people of backstage team and diverse equipment for the on-going effects turn each performance into an unparalled experience with almost cinema-like influence. You can see people flying in the air while the stage is practically falling into pieces where each platform holds a different person - a different faith, different pain, different inner universe. The harmony with which each of them is orchestrated is an expression of Morfov's talent to always challenge the technical possibilities of any stage he works on. This production is only one of the many that have been nominated - and eventually prized - for his impecabale technical skills. 

*  *  * 

 

A group of people meet on the roof of the building they live in and witness a friend of theirs jump from a roof across the street. They stare into the dirty city, talk about life in desperation. Convinced that their friend took the best decision, they take hands and jump all together. As they fall, passing the worn, ugly facade of the building, a new scene reveals the boxes of soviet panel apartments. People there have hidden from the world, each of them absorbed in his thoughts about an insurmountable personal crisis. Difficult life has taken away the child from its parents, the loved one from his partner, the brother, the friend, or the stranger that you used to greet each morning on your way to work.